Kimberley Visions is a five year landmark study mapping the rock art and occupational history of the Northern Kimberley. It examines shared art styles across northern Australia and explores questions of regionalism and identity. Did similar styles occur between the Kimberley and Arnhem Land? What are our current understandings about shared traditions and why might they have changed through time?
The rock art of the Kimberley is renowned for the insights it offers into the deep history of Aboriginal social practice. The art often depicts people, their belief systems and environments in great detail with elaborate compositions, depictions of personal ornaments and scenes of group dynamism providing windows into millennia of cultural practices. Rock art as living tradition is realised through a research collaboration with Balanggarra Aboriginal Corporation and their Healthy Country Plan.
COVID-19 ADAPTION Kimberley Visions has postponed its final fieldwork season until mid-2021, refocusing energies on data management, analysis and research. The team has a series of publications underway led by both the UWA and Monash hubs, including papers on cached metal objects from the pastoral period, excavations, and the Kimberley rock art style sequence. The 4 PhD students are in intensive analysis and writing phases.
An extended dating project “An absolute timescale for the Aboriginal rock art of the Kimberley region – landscape processes and multiple chronometers” follows the pioneering work undertaken in the first Kimberley Rock Art Dating project (2014-2017).
The project will run for four years from 2018 and has been awarded a major Linkage Grant by the Australian Research Council with support from the Kimberley Foundation Australia.
A large group of researchers and Traditional Owners carried out fieldwork on the Barton and Drysdale River. Approximately 160 new rock art sites were documented in collaboration with Kimberley Visions and sampled for dating in this area which had not previously been surveyed.
COVID-19 ADAPTION The Covid-19 restrictions have limited access to laboratories but proved manageable as no fieldwork was planned for 2020. The focus switched to analysis of existing sample materials from previous field seasons and writing up the exciting results for publication. Within the lockdown period two manuscripts were submitted for review and several others are in preparation. These include papers by Green et al., focussing on research into the origins and dating of engraved mineral glazes and their potential as paleoclimate archives in the Kimberley, and Finch et al., focussed on radiocarbon dating of mud wasp nests in association with the Irregular Infill Animal art style. Masters student Jenna Hoy submitted her thesis in June, presenting her final report over Zoom. PhD student Damien Finch will be submitting his PhD thesis in the coming months.
The team remains in contact with the remote Kimberley communities, sharing photos and phone calls with friends and colleagues. Everyone is looking forward to resuming work in the field with Aboriginal partners on country.
Research to establish a series of long-duration paleo-environmental and paleo climate reconstructions for the Kimberley region spanning the last 60,000 years has been awarded an Australia Research Council grant of $460,429. The project was seed funded by the Kimberley Foundation Australia.
The project aims to provide new understanding of the causes of environmental change and impacts on Australia’s Kimberley region since the arrival of Australia’s earliest inhabitants, and to inform conservation policy that will preserve the region’s globally significant rock art against environmental change and economic development. Ultimately all researchers in the Kimberley will be able to access a paleo-environments and paleoclimate e-atlas for the Kimberley.
Download the 2019 report to learn more about the research projects.
Rock art research is central to answering some of the big questions about human migration. The impact made through KFA rock art research has the potential to rewrite the history of human migration. Recent research in Sulawesi has uncovered prehistoric stone tools thought to be 118,000 years old and nearby rock art at 35,500 years old.
It bears a close resemblance to one of the earliest Kimberley rock art styles. This research including KFA-backed research is the latest in a string of findings that is re-shaping ideas about human migration. It has shifted the focus of early archaeological research from traditional Western hotspots to Australia’s doorstep.
You can ensure the rock art is recognised for its international significance and protected accordingly by leaving a bequest to the Kimberley Foundation Australia. If you wish to make a bequest we welcome the opportunity to meet you and answer any questions or discuss specific details with you.
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You can support the Kimberley Foundation Australia by donating shares as well as cash. ShareGift Australia is a not-for-profit organisation that makes it easy for you to support us. Through ShareGift Australia you can ‘convert’ your shares into a charitable donation without paying brokerage fees. If the value of the share sale exceeds $50, you have the option to recommend Kimberley Foundation Australia as beneficiary.
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